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Film Babble Blog’s Top 10 Movies of 2017 Part 1

2017 was a very weird year, so it’s fitting that many of its movies were pretty damn weird too. A lot of franchise films flopped (this is despite the fact that over half of the years top 10 at the box office were sequels), a STAR WARS movie was divisive between critics who loved it, and longtime fans of the series who hated it; and there were a number of films with strangely similar titles like LOGAN, LUCKY, and LOGAN LUCKY, and WONDER, WONDER WHEEL, WONDERSTRUCK, WONDER WOMEN, and PROFESSOR MARSTON AND THE WONDER WOMEN. 

Then there were WTFWT (What the F*** Was That?) movies like A GHOST STORY and MOTHER! So yeah, it was one weird year.

A lot of the movies of the last year blur together in my head. I mean, I had forgotten about such dreary titles as THE CIRCLE, THE BEGUILED, and BEATRIZ AT DINNER until looking at a list of 2017 releases just now. And there were also a few films I only liked the first halves of like DOWNSIZING, and THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, that are also fading in my memory.

But nows the time to concentrate on the cinema I best responded to, and I thought I’d do what I did a few years back and add what quotes stuck with me as well to the list.

So here goes Part 1 of my picks, in descending order, with their key lines or exchanges, and some links back to my reviews (click on select titles):

10. THE POST (Dir. Steven Spielberg)

Kay Graham (Meryl Streep): “You know what my husband said about the news? News is the first rough draft of history.


9. LAST FLAG FLYING (Dir. Richard Linklater)

Sal Nealon (Bryan Cranston): Every generation has their war. Men make the wars, and wars make the men. It never ends!

Reverend Richard Mueller (Lawrence Fishburne): Maybe one day well try something different.

8. DARKEST HOUR (Dir. Joe Wright)

Winston Churchill (Gary Oldman): “Please tell the Privy Seal that Im sealed in the privy and I can only deal with one shit at a time.”


7. LADY BIRD (Dir. Greta Gerwig)

Marion McPherson (Laurie Metcalf): I want you to be the very best version of yourself that you can be.

Christine Lady Bird McPherson 
(Saoirse Ronan): “What if this is the best version?

6. THE FLORIDA PROJECT (Dir. Sean Baker)



Moonee (Brooklynn Prince): I can always tell when adults are about to cry.


So thats 10-6 of my favorite films. See 5-1 at Part 2.


More later…

LAST FLAG FLYING Gets Just About Every Last Detail Right.

Now playing:

LAST FLAG FLYING (Dir. Richard Linklater, 2017)
Richard Linklater’s latest is and isn’t a sequel to Hal Ashby’s 1973 cult classic THE LAST DETAIL. The three lead characters names have changed but they’re basically the same archetypes as the three military cohorts in the original, with Bryan Cranston’s Sal Nealon mirroring Jack Nicholson’s Billy L. “Badass” Buddusky, Steve Carrell’s Larry “Doc” Shepherd stepping in for Randy Quaid’s Laurence M. “Larry” Meadows, and Laurence Fishburne’s Richard Mueller taking on Otis Young’s Richard “Mule” Mulhall.


In THE LAST DETAIL, Navy lifers Buddusky and Mulhall escort court-marshaled Meadows to prison in Maine for petty theft, and take drunken detours along the way. In LAST FLAG FLYING, our trio are vets who re-unite to accompany Carrell’s Doc to the funeral of his son who was killed in Vietnam.

The film begins with Doc showing up at Sal’s dive bar in Norfolk, Virginia, after decades of non-communication, and after a night of drinking, Doc takes Sal to see their old pal, Richard, who became a Christian priest.

The film takes place in 2003, so there are running gags involving the internet and cellphones being new things, and footage of Saddam Hussein on TVs in the background.

Like its predecessor, it’s largely a road trip movie with a lot of buddy comradery, but in this story that happens after they reach their first destination – Dover Air Force Base in Delaware where they learn that Doc’s son didn’t die the heroic death that the army’s official statement reported. They then take his son’s body to bury in Portsmouth, New Hampshire, first by rented truck, then by train after a brush with homeland security with a lot of lively conversation fueling every scene.


THE LAST DETAIL was famous for having large amounts of profanity – it contained more uses of the f-bomb than any previous film when it was released in the early 70s – but it’s no big thing these days for a film to be filled with such dirty dialogue so it’s barely noticeable when it’s used here. Maybe that’s from my being desensitized by many viewings of Scorsese movies or frequent listens of Richard Pryor albums, I dunno.

Alongside the strong performances of the main protagonists, is an excellent supporting cast made up of Yul Vazquez as Lt Col. Willits, who tries to stop Doc, Sal, and Mueller from transporting the body themselves; J. Quinton Johnson stars as Marine Charlie Washington who breaks the news to the guys about how Doc’s son died, and especially Cicely Tyson as the grieving mother of one of their fellow Marines, who died in Vietnam.

Despite its sometimes weary depiction of distrust of the Government during the George W. Bush era, there’s a lot of warmth in LAST FLAG FLYING. Linklater handles the pathos superbly, and gets us to care about these very verbal vets. Its dialogue, co-written by Linklater and Darryl Ponicsan (who wrote the 1970 book, “The Last Detail and its 2005 sequel that’s the basis for this film) is rich and real feeling.

Cranston stands out as the grizzled, cynical Sal – it’s one of his most fleshed out characters since Breaking Bad – Carrell’s sad sack succeeds in getting our sympathy, and Fishburne conveys dignified grace, that is except for the funny bits where his Reverend Mueller loses patience with Sal and regresses into his old profane self.

Linklater’s loving update deserves Oscar action, but more so it deserves big audiences who no doubt will appreciate its affable yet profound sensibility. LAST FLAG FLYING gets just about every last detail right.

More later…