The 90th Academy Awards® ceremony is in less than two weeks so it’s a good time to catch up with the nominated Short Films that are playing at various theaters near me in separate programs of the Live Action, Animated, and Documentary nominees.
The five Live Action Short Films are a fairly dark lot, with one comical exception, but even that one has a dark edge to it. The first short in the program, Reed Van Dyk’s DEKALB ELEMENTARY, concerns a school shooting so it’s impossible to not think about the Parkland, Florida school shooting last week.
Bo Mitchell plays the young gunman who takes a front-office administrator (Cassandra Rice) hostage in the school’s front office, but she calmly handles and diffuses the situation. The 20 minute film is full of unpleasant tension and can be hard to watch, so much so that there have been reported walk-outs at showings.
But if you can make it through, the acting by Mitchell and especially Rice is effective, and the spare scene feels chillingly real. Maybe the timing is bad for this short, but when would be a good time for this subject? I really can’t decide if its timeliness will work for or against it when it comes to Academy voters.
Onto the aforementioned comical short of the batch, Derin Seale’s THE ELEVEN O’CLOCK. This 13-minute Australian film concerns a therapy session between a psychiatrist and a patient who thinks he’s a psychiatrist.
It’s an amusing 13 minute trifle, but it has an ending that most people won’t be surprised by, so I really wouldn’t bet on it to win this category.
After that light diversion, we’re back into the darkness with Kevin Wilson Jr.’s MY NEPHEW EMMETT, which dramatizes the last night in the life of Emmett Till, an African-American teenager who was lynched in Mississippi in 1955.
As one of the racist abductors, Rhodes is intensely sinister as he threateningly spouts the n-word and drops f-bombs at Williams’ Mose making this another short that’s hard to watch at times, and also feels sadly timely.
The nearly 20 minute historical drama will definitely get some voters sympathy, but I doubt it’ll get the gold.
Chris Overton and Rachel Shenton’s THE SILENT CHILD doesn’t involve murder or guns, but it has a dark undertone. It concerns a deaf six-year old named Libby (Maisie Sly), who is taught sign language by Joanne, a caring social worker (Shenton).
When the bus is ambushed by the terrorists, Jua and the other passengers are commanded at gunpoint by their leader (Faysal Ahmed) to point out the Christians, who they call infidels. This results in a jarring, but powerful moment, which got to me more than anything in the other competing films.