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Blu Ray Review: ECHO IN THE CANYON

Now out on Blu ray and DVD:
ECHO IN THE CANYON

(Dir. Andrew Slater, 2018)

 
This rock doc opens with the definition of the word “echo” – “a close parallel or repetition of an idea, feeling, style, or event” – while the shimmering guitar opening of the Byrds’ “Turn, Turn, Turn” plays. We then proceed to hang with Jakob Dylan (leader of the Wallflowers; son of Bob) and Tom Petty (in his last film interview) as they check out guitars at Truetone Music in Santa Monica. 

From there the credits tell us that the film is paying tribute to the music of The Byrds, The Beach Boys, Buffalo Springfield, The Association, and The Mamas & The Papas. 

Exploring the the Laurel Canyon scene, where many of these musicians migrated in the ‘60s, this documentary depicts Dylan driving around Los Angeles to meet up with such iconic artists as Jackson Browne, David Crosby, Roger McGuinn, Graham Nash, Stephen Stills, John Sebastian, Ringo Starr to casually talk about the area’s musical mythos. 

But that’s just half of it, as the rest of the film concerns a concert staged at the Orpheum Theatre in LA in late 2015 in which Dylan sings a roster of classic Southern California songs with the likes of Jade, Fiona Apple, Regina Spektor, Cat Power (Chan Marshall), and Beck. 

At the start of the concert, director Slater, who had been the President of Capitol Records from 2001-2017, explains to the audience that they are celebrating the 50th Anniversary of when McGuinn exercised the most pronounced influence over rock music with only the opening notes of The Byrds’ debut album. 


Now that’s certainly true, but while there are a number of solid performances included from that star-studded event, I would prefer to see more vintage footage, hear more stories from the sunny hippy era, and see the doc give shout outs to more of the cast of notable characters who were residents of the Canyon. Especially since Frank Zappa, one of the first of the artists that made his home there, is glossed over, while Joni Mitchell and the Doors’ Jim Morrison aren’t mentioned at all. For a film that’s only an hour and 22 minutes long, that’s a real shame *. 

I still enjoyed a lot of ECHO IN THE CANYON, and can really feel Dylan, his interviewees, and director Slater’s genuine love for the wealth of historic rock music (or rock pop, or folk rock, or pop rock folk, etc.) so I’d definitely recommend this film to those that are interested. For those who aren’t, it might be a bit much of Dylan playing a bunch of ‘60s songs with his friends instead of a real breakdown of what made Laurel Canyon so tuneful.


* The Blu ray and DVDs of this doc contain no bonus material so that adds to the shame.

More later…

Oscars® 2018 Recap: My Best Score Since 2015

For those who say we’re all out-of-touch Hollywood elites – Ill have you know that each of the 45 million Swarovski crystals on this stage tonight represents humility. 

I spent last night at the Rialto Theatre in Raleigh watching the 90th Academy Awards broadcast and enjoyed the show a lot more than the last several years. 

It felt like there was more of a purpose to the proceedings this time largely via moments like Frances McDormand’s impassioned speech, Emma Stone saying that four males and Greta Gerwig were up for Best Director, Daniela Vega being the first openly trans actress, Tiffany Haddish and Maya Rudolph joking about #oscarsowhite controversy from a few years back, and rapper Common calling out President Trump: A president that chose with hate/He don’t control our fate/Because god is great/ When they go low we stay in the heights/I stand for peace, love and women’s rights.

Jimmy Kimmel did a good job as host touching on some of the same topics, and I liked his bit about giving away a jet ski to the Osacr winner who makes the shortest speech (see Helen Mirren showing it off above). 

Anyway, I had my best score in years as I bested the last two Oscars (at least by one) with a tally of 17 out of 24. Here’s the ones I got wrong:

BEST
PICTURE: 
My prediction: GET
OUT / What won: THE SHAPE OF WATER


While I got wrong that Jordan Peels excellent film would win the big one, I was right that hed win for Best Screenplay – another great moment as hes the first African American to do so.

BEST DOCUMENTARY:
My prediction: FACES PLACES / What won: ICARUS


BEST DOCUMENTARY SHORT: My prediction: EDDIE+EDITH / What won:
HEAVEN IS A TRAFFIC JAM ON THE 405

FILM EDITING: My prediction: BABY
DRIVER / What won: DUNKIRK

BEST VISUAL EFFECTS:  My prediction: WAR FOR THE PLANET OF THE APES / What won: BLADE RUNNER 2049


I really didnt expect BLADE RUNNER 2049 to win more than one Oscar (it won for Best Visual Effects, and Best Cinematography). I predicted Roger Deakins would win for his masterful work on BR 2049, and was happy that after over a dozen nominations over the years that it finally happened.


ORIGINAL SONG
: My prediction: “This Is Me”
from THE GREATEST SHOWMAN (Justin
Paul & Benj Pasek) / What won: “Remember Me” from COCO

LIVE ACTION SHORT: My
prediction: DEKALB ELEMENTARY / What
won: THE SILENT CHILD



Lastly I was disappointed that the In Memorium segment left out John Mahoney, Robert Guillaume, Tobe Hooper, Powers Boothe, Adam West, and Tom Petty (sure Eddie Vedder covering Petty’s “A Room at the Top” worked as a tribute, but I would’ve loved seeing a clip of Petty in THE POSTMAN in the montage).


Okay! That’s it for this year. As I’ve said before, now back to watching movies for fun and not for sport.


More later…