It started when Robert Shafran, on his first day at Sullivan County College in upstate New York was warmly greeted by many fellow students who he had never seen before who called him Eddy. Eddy Galland had attended the school the previous year. One of Eddy’s friends, Michael Domnitz, deduced that they were brothers, and they contacted Eddy and arranged a meeting.
The story of the re-united brothers makes national headlines, and a third twin, Queens College student David Gellman, sees their picture in the newspaper and gets in touch with them. The trio become fast friends, they make the talk show rounds (clips of them on Donahue and being interviewed by Tom Brokaw are prominently featured), have a cameo in a Madonna movie (DESPERATELY SEEKING SUSAN), and even open a New York restaurant together named Triplets.
But after the feel good montage of the brothers partying it up in the Big Apple set to Katrina and the Waves’ “Walking on Sunshine” (of course) fades, things get a bit dark. Turns out that none of the respective adoptive parents knew that their children had siblings, and we learn that the triplets were part of a psychological experiment in which they were filmed, monitored, and documented under the guise of a child development study.
This revelation causes another pair of twins to find one another – two sisters who were both film students when they met among other similarities.
Shafran and Gellman appear in newly filmed interviews conducted by director Wardle alongside family members, friends, and New Yorker writer Lawrence Wright, whose research provides insights into the case, despite the study on the brothers having never been published, and the files are sealed until 2066.
It may be a spoiler to tell what happened to the third brother, Galland, even if it’s well reported online, so I’ll just cease my description of the narrative right here in case you want to go in unspoiled.
The endlessly fascinating THREE IDENTICAL STRANGERS that takes one on a highly emotional ride. It’s a well constructed work via Michael Harte’s fluid editing, and how its subjects guide the viewer through the testimonials without narration.
Containing more twists and turns than most thrillers, this is a must see documentary that deserves big audiences.