The fourth and final day at this year’s Full Frame may have been my favorite. That’s largely because of the Closing Night film, but I’ll get to that below. Here’s some takes on the films leading up to that.
I was unaware that Wallace, before he became one of the most feared TV journalists, had been an actor, a game and variety show host, and a commercial spokesman for many products including Parliament Cigarettes, something that came back to haunt him. I also didn’t know about the mid ‘50s late night interview show, Night Beat, which, from the clips shown here, looks like a ginormous influence on every hard-hitting interview shows.
I enjoyed all the bits from the many famous interviews he conducted throughout his career, the most notable being Salvador Dalí, Eleanor Roosevelt, Barbara Streisand, Malcolm X, the Ayatollah Khomeini (!), and the eight U.S. Presidents he interviewed from J.F.K. to Bill Clinton – there’s even a snippet of a piece with a young Donald Trump, who says he’s not going into politics.
I would’ve liked Belkins to have gone deeper into Wallace’s suicidal dark period, touched on THE INSIDER, Michael Mann’s 1999 film about a controversial 60 Minutes segment on a tobacco industry whistleblower (Wallace wasn’t happy with how he was portrayed), and maybe a little something about his son, Fox News Anchor Chris Wallace, who is only mentioned in passing. Nevertheless, it’s a fine primer to the life of a television icon with a lot of choice cuts from his illustrious career. I can’t really say it’s another RBG or WELCOME TO THE NEIGHBORHOOD, but there should still be an audience out there for it.
Following that was Kenny Dalsheimer’s YOU GAVE ME A SONG: THE LIFE AND MUSIC OF ALICE GERRARD, a portrait (yep, another biodoc) of the Durham-based folk singer Alice Gerrard.
Gerrard’s marriages to Jeremy Foster and Mike Seeger (both musicians) are explored, but it’s partnership with Hazel Dickens, who performed with her in the Black Creek Buddies, that is focused on the most. The duo battled sexism, and injustice while carrying the folk/country/bluegrass torch forward. In the ‘80s, Gerarrd extolled the values of her musical loves by becoming the editor-in-chief of The Old Time Herald, a magazine devoted to trad tunes.
So that’s Full Frame 2019. I had a great time and saw some great docs. Of course, I always do at this Festival – that’s why I have gone every year for over a decade. I’m already looking forward to next year.