The second day at the Full Frame Documentary Film Festival was really rainy this year. One or more days during the event usually are stormy obviously because of the time of year, and I’m sure that I’ve made this observation before, but I’m not gonna Google myself to see. I’m going to just jump right into the films I saw at the Carolina Theatre and the Durham Convention Center on Day Two.
First up, Mike Attie’s MOMENT TO MOMENT, a 14-minute short about Carl Duzen and Susan Jewett, a long-married couple who first met as teachers – he was a physics teacher; she taught art.
The short has its share of sad moments like when Susan says of her husband’s dementia, “It’s pretty awful, and especially for a man I married especially for his mind,” but it has a good bit of happiness in it to as we watch the couple dance, reminisce about their first date, and open an exhibit entitled “Carl Duzen: Copper. Denying Dementia Its Due.” Of course, it has to end on a sad note but it’s also a poetic one that I’m sure will stay with me.
While EXIT MUSIC often plays like a sloppily stitched together collection of home movies, it builds to its inevitable conclusion with purpose. You probably guessed that Ethan is no longer with us, but from all the work we get glimpses of, it looks like he made the most of his time here. Seriously, those stop motion clips are awesome – the stuff he did with toy soldiers is so much cooler than the likewise toy soldier stuff in last year’s floptacular, WELCOME TO MARZEN.
One of my most anticipated docs of the fest followed, Janice Engel’s RAISE HELL: THE LIFE AND TIMES OF MOLLY IVINS, about the late, great legendary Texan columnist, humorist, and political commentator who certainly had quite the mouth on her.
RAISE HELL is a delightfully biting biodoc about a woman whose voice probably resonates now more than it did when she was alive (she passed at age 62 in 2007). My only disappointment with the film is that Ms. Ivins wasn’t there to come out for a Q & A at the end.
This poli-doc is very entertaining and has an undeniably inspirational spirit, but it’s a bit fluffy and can feel like reality TV at times. It’s so packed with the passion of these driven women that I’m going to let those quibbles slide. As expected, Ocasio-Cortez gets the bulk of screen-time, but the shit-kicking Vilela gets to steal the show a few times with such comments as “We’re coming out of the belly of the beast kicking and screaming!”
Finally, I ended Day Two with Penny Lane’s HAIL SATAN?, which is obviously about Satanism – the Satanic Temple particularly and their ongoing fight for separation of church and state.
One amusing thread (they’re all pretty amusing) in this film involves the Satanic Temple’s attempts to erect a statue of the horned demon Baphomet on Oklahoma and Arkansas state grounds. As you can see from the picture above, they succeeded. While the doc is very funny with a lot of lines that land, director Lane (NUTS, OUR NIXON), obviously gets where these people are coming from and gets us there too. She gives us enough insight into the ideology that when one of her interview subjects says, “As a Satanist, I believe that confronting injustice is an expression of my satanic faith,” it doesn’t come across as ironic at all.
Coming soon: Full Frame 2019 Days Three & Four. Also check out Day One if you haven’t already.